Acculturation of culture between the Sasak ethnic and Balinese ethnic in the art of Gendang Beleq in Lombok
Keywords:
art creativity, Bali ethnic, cultural acculturation, gendang beleq, Sasak ethnicAbstract
This study aims to conduct a study of cultural acculturation in the art of Gendang Beleq as a result of the traditional art music collaboration between Balinese ethnic and Sasak ethnic in Lombok. This research was designed in the type of qualitative research using a case study model. The results of this study obtained three important findings. First, the form of cultural acculturation in the art of Gendang Beleq is a combination of two elements of musical arts, namely Balinese art and Sasak art. In its development, the art of Gendang Beleq was influenced by Balinese music which began with cultural acculturation between Balinese ethnic and Sasakethnic in Lombok. This influence can be seen in the form of composition, as well as musical elements of Balinese karawitan which are processed or worked on into the Gendang Beleq art, making this art very attractive. The factors that cause the acculturation of Balinese audio musical in the Gendang Beleq art because of the emergence of the idea of ??combining two musical art identities can produce added value to cultural arts work of artistic creativity.
Downloads
References
Agung, A. A. K. (1991). Kupu-kupu Kuning yang Terbang di Selat Lombok. Denpasar: PT. UPADA SASTRA.
An, D., & Youn, N. (2018). The inspirational power of arts on creativity. Journal of Business Research, 85, 467-475. https://doi.org/10.1016/j.jbusres.2017.10.025
Aryasa, I.W.M. (1992). Pengetahuan Karawitan Bali. Sekolah Tinggi Seni Denpasar
Bahri, H. S. (2014). Studi sejarah dan budaya Lombok. Lombok Timur: Puskanda.
Berry, J. W. (2005). Acculturation: Living successfully in two cultures. International journal of intercultural relations, 29(6), 697-712. https://doi.org/10.1016/j.ijintrel.2005.07.013
Harnis, David. 1985. “Lombok Balinese Music Type Style Can Be Seen As Being One Of Three Types: 1) those with antecendents in Bali, 2) Those with antecendents from the sasak majority if lombok and 3) those co-created with the sasak”. Artikel dalam QuaterTesis S2,17
HARNISH, O. (1988). Music and Religion: Syncretism, Orthodox Islam, and Musical change in Lombok in Issues in the Conceptualization of Music. Selected Reports in Ethnomusicology, 7, 123-137.
Karjono, M., Bakta, I. M., Karmaya, I. N. M., & Pradnyaparamita, D. (2017). Force, support, and endorsing factors of early marriage in adolescent Sasak (Sasak Ethnic) in Central Lombok. International research journal of engineering, IT & scientific research, 3(2), 171-178.
Masinambow, E. K. M. (1997). Koentjaraningrat dan antropologi di Indonesia. Asosiasi Antropologi Indones.
Richards, G. (2011). Creativity and tourism: The state of the art. Annals of tourism research, 38(4), 1225-1253. https://doi.org/10.1016/j.annals.2011.07.008
Samovar, L. A. R. E. (2010). Komunikasi Lintas Budaya. Jakarta Selatan: Salemba Humanika.
Sugiyono, P. D. (2009). Metode Penelitian Kuantitatif Kualitatif Dan R &D, Alfabeta. Denzin, NK, & Lincoln, S. Yvonna.
Sukandar, S. G. T., Sudiarta, I. W., & Koriawan, G. E. H. (2017). Gendang Beleq Di Desa Belanting Kecamatan Sambelia Kabupaten Lombok Timur (Kajian Senirupa). Jurnal Pendidikan Seni Rupa Undiksha, 7(1).
Sukenti, K., Hakim, L., Indriyani, S., Purwanto, Y., & Matthews, P. J. (2016). Ethnobotanical study on local cuisine of the Sasak tribe in Lombok Island, Indonesia. Journal of Ethnic Foods, 3(3), 189-200. https://doi.org/10.1016/j.jef.2016.08.002
Sumardi, N. K. (2017). Evolusi Gendang Beleq Lombok. Gondang: Jurnal Seni dan Budaya, 1(2), 63-69.
Tim Pembina Kebudayaan. 1991. Deskripsi Tari Gendang beleqDaerah Nusa Tenggara Barat. Mataram: Departemen Pendidikan dan Kebudayaan Kantor Wilayah Provinsi Nusa Tenggara Barat.
Ward, C., & Geeraert, N. (2016). Advancing acculturation theory and research: The acculturation process in its ecological context. Current Opinion in Psychology, 8, 98-104. https://doi.org/10.1016/j.copsyc.2015.09.021
Wirawan, I. W. A. (2017). Social integration amongst communities of Balinese ethnic and Sasak ethnic based on competence of traditional cultural at Bayan district, north Lombok regency. International journal of linguistics, literature and culture, 3(2), 34-44.
Yaningsih, Sri. (1991). Ensiklopedi Musik Dan Tari Daerah Nusa Tenggara Barat. Mataram: Departemen Pendidikan Dan Kebudayaan-NTB.
Yudarta, I. G. (2013). Reproduksi Kekebyaran di Kota Mataram Nusa Tenggara Barat. Denpasar: Disertasi S3 Program Doktor Kajian Budaya Universitas Udayana.
Yudarta, I. G., & Pasek, I. N. (2015). Revitalisasi Musik Tradisional Prosesi Adat Sasak Sebagai Identitas Budaya Sasak. Segara Widya: Jurnal Hasil Penelitian Dan Pengabdian Masyarakat Institut Seni Indonesia Denpasar, 3.
Published
How to Cite
Issue
Section
Copyright (c) 2020 International journal of humanities, literature & arts
This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License.
Articles published in the International Journal of Humanities, Literature & arts (IJHLA) are available under Creative Commons Attribution Non-Commercial No Derivatives Licence (CC BY-NC-ND 4.0). Authors retain copyright in their work and grant IJHLA right of first publication under CC BY-NC-ND 4.0. Users have the right to read, download, copy, distribute, print, search, or link to the full texts of articles in this journal, and to use them for any other lawful purpose.
Articles published in IJHLA can be copied, communicated and shared in their published form for non-commercial purposes provided full attribution is given to the author and the journal. Authors are able to enter into separate, additional contractual arrangements for the non-exclusive distribution of the journal's published version of the work (e.g., post it to an institutional repository or publish it in a book), with an acknowledgment of its initial publication in this journal.