Technology transfer method of Tantri Darmaswami dance theater as a virtual work

I Ketut Suteja; I Gede Mawan

doi:10.21744/ijhla.v5n1.1992

Authors

I Ketut Suteja
iktsuteja@gmail.com
Dance Program Study, Faculty of Performing Arts, Indonesian Institute of the arts Denpasar, Bali, Indonesia
I Gede Mawan Performing Arts Education Program Study, Faculty of Performing Arts, Indonesian Institute of the arts Denpasar, Bali, Indonesia

Keywords:

COVID-19 pandemic, dance theatre, method, technology transfer, virtual works

Abstract

The COVID-19 pandemic has become a scourge for performing arts activists. The impact narrows the movement of art life, both formal and non-formal. Creative people try to be creative in finding breakthroughs to overcome this stagnation. This cannot be done unilaterally, it needs cooperation with the Business World and the Industrial World (DUDI) to communicate the results of the work. Solving problem, through the Diktiristek Matching Fund Program, the Faculty of Performing Arts (FSP) of the Indonesian Arts Institute (ISI) Denpasar in collaboration with PT. Bali Ranadha Television, created the work of Darmaswami Tantri Dance Theatre, which combines elements of tantri dance theater with cinematographic techniques into a virtual masterpiece. Using the technology transfer method is the transfer of the ability to utilize, master science, and technology. The goal is to increase art knowledge, produce quality creations, continue artistic work, and can be enjoyed by the public through virtual communication

Downloads

Download data is not yet available.

References

Ardhana, I. K. (1993). Balinese puri in historical perspective: the role of Puri Satria and Puri Pamacutan in social and political changes in Badung, South Bali, 1906-1950.

Bandem, I. (1981). Madé and Fredrik Eugene deBoer. Balinese Dance in Transition: Kaja and Kelod.

Bruyneel, A. V. (2019). Effects of dance activities on patients with chronic pathologies: scoping review. Heliyon, 5(7), e02104. https://doi.org/10.1016/j.heliyon.2019.e02104

Dance, S. M., & Shield, B. M. (1997). The complete image-source method for the prediction of sound distribution in non-diffuse enclosed spaces. Journal of Sound and Vibration, 201(4), 473-489. https://doi.org/10.1006/jsvi.1996.0770

Feng, Y., & Li, J. (2022). Phase-field cohesive fracture theory: A unified framework for dissipative systems based on variational inequality of virtual works. Journal of the Mechanics and Physics of Solids, 159, 104737. https://doi.org/10.1016/j.jmps.2021.104737

Guerrero, J. A. A., Moreira, J. A. M., Zambrano, M. J. Z., Rivas, F. E. C., & Pilligua, M. L. B. (2021). Project-based learning and its contribution in virtual education. International Research Journal of Management, IT and Social Sciences, 9(1), 10-18. https://doi.org/10.21744/irjmis.v9n1.1973

Hawkins, A. M. (1988). Creating through dance. Dance Horizons.

Jakob, S. (2000). Filsafat seni. Bandung: Penerbit ITB, 29.

Kaye, A. D., Okeagu, C. N., Pham, A. D., Silva, R. A., Hurley, J. J., Arron, B. L., ... & Cornett, E. M. (2021). Economic impact of COVID-19 pandemic on healthcare facilities and systems: International perspectives. Best Practice & Research Clinical Anaesthesiology, 35(3), 293-306. https://doi.org/10.1016/j.bpa.2020.11.009

Marianto, M. D. (2018). Seni & Daya Hidup dalam Perspektif Quantum. Dwi-Quantum.

Mukhtar. (2013). Practical Methods of Qualitative Descriptive Research, Jakarta:: Reference (GP Press Group)

Murgiyanto, S. (1983). Labanotation: An Alternative System of Analyzing and Recording Movements. SPAFA Digest (1980-1990), 4(2).

Murgiyanto, S. (2002). Kritik tari: bekal & kemampuan dasar. Masyarakat Seni Pertunjukan Indonesia.

Onosato, M., & Iwata, K. (1993). VirtualWorks: Building a Virtual Factory with 3-D Modelling and Object Oriented Programming Techniques. In Information Control Problems in Manufacturing Technology 1992 (pp. 199-204). Pergamon. https://doi.org/10.1016/B978-0-08-041897-1.50038-9

Reddy, N. M., & Zhao, L. (1990). International technology transfer: A review. Research policy, 19(4), 285-307. https://doi.org/10.1016/0048-7333(90)90015-X

Remen, I. K. (1982). Kamandaka Tantri Song.

Rogers, E. M., Takegami, S., & Yin, J. (2001). Lessons learned about technology transfer. Technovation, 21(4), 253-261. https://doi.org/10.1016/S0166-4972(00)00039-0

Soedarso, S. P. (2000). Katalogos Pameran Kriya Seni 2000. Galeri Nasional Indonesia Jakarta.

Soedarsono, S. (2002). Character Building= Membentuk Watak: mengubah pemikiran, sikap dan perilaku untuk membentuk pribadi efektif guna mencapai sukses sejati.

Spell, L. A. (1996). Recognition of the nonverbal communication of affect following traumatic brain injury. University of South Carolina.

Stevens, C. J., Schubert, E., Morris, R. H., Frear, M., Chen, J., Healey, S., ... & Hansen, S. (2009). Cognition and the temporal arts: Investigating audience response to dance using PDAs that record continuous data during live performance. International Journal of Human-Computer Studies, 67(9), 800-813. https://doi.org/10.1016/j.ijhcs.2009.06.001

Stevens, C. J., Vincs, K., Delahunta, S., & Old, E. (2019). Long-term memory for contemporary dance is distributed and collaborative. Acta psychologica, 194, 17-27. https://doi.org/10.1016/j.actpsy.2019.01.002

Sudarmo, S. (2020). Leadership and human resource management: response to the COVID-19 outbreak . International Research Journal of Management, IT and Social Sciences, 7(6), 167-174. https://doi.org/10.21744/irjmis.v7n6.1033

Vaishya, R., Javaid, M., Khan, I. H., & Haleem, A. (2020). Artificial Intelligence (AI) applications for COVID-19 pandemic. Diabetes & Metabolic Syndrome: Clinical Research & Reviews, 14(4), 337-339. https://doi.org/10.1016/j.dsx.2020.04.012

Zoetmulder, P. J., & Gusti, M. K. (1991). Patheisme dan Monisme dalam Sastra Suluk Jawa, terj. Dick Hartoko. Jakarta: Gramedia.