Representation of Bali in tourism advertisement videos
Keywords:
SFL, Transitivity, Advertisement DiscourseAbstract
Employing the Halliday’s theory of transitivity (1985), this study explores the representation of Balinese religion, culture, and nature in the Bali tourism advertisements videos produced by Bali’s Tourism Office, Bali Tourism Board and Ministry of Tourism of Indonesian Republic. The study reveals that the language of the advertisements mostly describes Bali in terms of material process, mental and relational process. In terms of relational process, the beauty of Bali’s culture and nature is capitalized and portrayed as having certain kind of qualities: indicated by the use of adjectives typical to tourism advertisement such as mesmerizing, exotic, unique, etc. and it is constantly defined as paradise. A stark difference, however, occurs in terms of the participants of the clause. In the advertisement produced by the Bali Tourism office, the participants having the role of ‘actors’, ‘senser’ and ‘carrier’, are Balinese people, Bali’s nature, and culture. The advertiser, taking the position of ‘we’, the Balinese, speaks to the world, explaining their home island, culture and belief. On the other hand, the more ‘mainstream’ advertisements of Bali, give more to the prospective tourists, addressed as ‘you’. Here the tourists are the actors and sensers of everything Bali can offer. Bali is depicted as purely a travel destination that can satisfy the visitors and in the position of passive ‘phenomenon’ and ‘goals’. The advertisers are taking the position of ‘the travel agent’, the third party that promotes Bali.[1]
[1] Some parts of this article have been presented in KOLITA 15, The Annual Linguistic Conference of Atmajaya University, April 2017.
Downloads
References
Halliday, M. A. (1985). 1994. An introduction to functional grammar, 1.
Halliday, M. A. K., Matthiessen, C., & Halliday, M. (2014). An introduction to functional grammar. Routledge.
Kondowe, W. (2014). Presidents and Ideologies: A Transitivity analysis of Bingu wa Mutharika’s inaugural address. International Journal of Language and Linguistics, 2(3), 174-180.
Patriana, T. (2013). Indonesian-English Fable Characters’ Representation and Authors’ Worldview. Passage, 1(2), 145-158.
Pitana, I. (2010). Tri Hita Karana–The local wisdom of the Balinese in managing development. In Trends and Issues in Global Tourism 2010 (pp. 139-150). Springer, Berlin, Heidelberg.
Pop, A. (2008). The nature of visual metaphors in IT advertising. Acta Linguistica, 2(2), 55.
Pratiwi, D. P. E., Ayomi, P. N., & Candra, K. D. P. (2017). Balinese Arts And Culture As Tourism Commodity In Bali Tourism Promotion Videos. MUDRA, 32(3).
Trčková, D. (2016). Representations of nature in ecotourism advertisements. Discourse and Interaction, 9(1), 79.
Umar, U. (2016). Beautiful Lives: Priests, Beauticians, and Performance of Islamic Piety in a Non-Gendered Economy in South Sulawesi, Indonesia. University of California, Berkeley.
Zhao, M., & Zhang, Y. A Transitivity Analysis of American President Donald J. Trump’s Inaugural Address.
Published
How to Cite
Issue
Section
Articles published in the International Journal of Linguistics, Literature and Culture (IJLLC) are available under Creative Commons Attribution Non-Commercial No Derivatives Licence (CC BY-NC-ND 4.0). Authors retain copyright in their work and grant IJLLC right of first publication under CC BY-NC-ND 4.0. Users have the right to read, download, copy, distribute, print, search, or link to the full texts of articles in this journal, and to use them for any other lawful purpose.
Articles published in IJLLC can be copied, communicated and shared in their published form for non-commercial purposes provided full attribution is given to the author and the journal. Authors are able to enter into separate, additional contractual arrangements for the non-exclusive distribution of the journal's published version of the work (e.g., post it to an institutional repository or publish it in a book), with an acknowledgment of its initial publication in this journal.
This copyright notice applies to articles published in IJLLC volumes 6 onwards. Please read about the copyright notices for previous volumes under Journal History.